David Mann (Dennis Weaver), commercial traveller, in a Californian highway overtakes a powerful semitrailer with a tank. The truck driver, probably only irritated, overtakes and gets back in front. But Mann, annoyed by the terrible whiffs of smoke coming out of the truck, overtakes again. The duel starts here! From that moment, the truck driver, after a two-tune blast, a true declaration of war, doesn’t give in to the unlucky car driver, and everything that follows is a mortal challenge fought on the edge of high speed in a sequence of breathtaking dramatic coup de théatre.

All of a sudden, the chosen narrative solution doesn’t appear different from the one of the 'The Car' o 'Christine' (which were inspired, without any doubt, by Spielberg's masterpiece) namely that the ‘evil’ vehicle is controlled by a devilish entity, nearly omniscient, rather than by a man. Anyway, the final confrontation shows the peaceful David, transformed into a murderer by events, who deals a mortal blow to his opponent.


 
 
REMARKS


 

Everything has been said and written about this masterpiece of the young Steven Spielberg. The challenge between Good and Evil, David (David Mann) against Goliath, the civilised opposed to the wild, man against machine. And one could continue to the utmost: prince Valiant (the car driven by Weaver is a Plymouth ‘Valiant’) against a medieval dragon, the revival of the western duel, the generation challenge between bourgeoisie and proletariat…

In my opinion, the genius of the director is also in having created in that sample of Peterbilt (with very dark windows and an indefinable colour) a ‘horror mask’ effective as – if not more – the one of Michael Myers, Freddy Krueger, Jason Voorheestill the terrible and recent 'Night Flier'

The idea of never seeing the driver in the face makes the vehicle a living creature, with a diabolic mind.

'Duel', as it has already been said, has given life to a current: some good movies such as ‘Christine…’, others less well made like 'Maximum overdrive'.

A curiosity. The ‘David Mann’ element, who from a peaceful bourgeois turns into a murderer, in order to save his own skin, has given life to an analogy with David Banner (Bill Bixby), who, in the mind of the scriptwriters of 'L'incredibile Hulk' in a fit of rage turns into the green being. In the episode of the series 'Never Give A Trucker An Even Break', different sequences of ‘Duel’ are used or, to be more precise, only few new sequences, with the TV series characters, are added to the screen adaptation of Spielberg’s movie. It will be the green giant (Lou Ferrignowho will defeat the monstrous Peterbilt in the final sequence.


 
 

 
 

Movie Connections

Richard Matheson

 

Top Ten Movies
my screenplays

 
 

NOTE!!! This is an unauthorized site. The copyrights of the images of 'Duel' belong to Universal pictures. This site is just a movie page for my personal website. The copyrights of the texts belong to Lorenzo Costa. Email me at alfadriver@lorenzocosta.com