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MY SCREENPLAYS
To
write a movie script – once one has learnt the tricks of
the trade – it is definitely easier than writing a novel/short story.
It is nothing other than a movie subject comprising the description of each
setting and dialogues. The simplification lies in the fact that it is mainly the
cold description of facts incapable of arousing emotions in he who isn’t an
insider.
There
are, however, very different styles of writing movie scripts. It’s not
compulsory (as I have done in ‘Manic
Depression’) to describe the movements of the machine, meaning every
single operation to be made with the movie camera. This happens only because the
writer – I think that it is so for many – seeing his setting on paper, one
is struck by the desire to realise them and thus makes up for the frustration of
not being able to do it (it is obvious that to set up a movie it is more
economically onerous than to write a book!).
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Karman, spirito inquieto
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(1997 - SCENEGGIATURA)
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Manic Depression
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(1998 - SCENEGGIATURA)
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Wild Thing
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(2000 - SCENEGGIATURA)
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To see my Top Ten Film list click here>>>
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